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Have you checked out the Graphic Novel?

Editor’s note: I ran this article in Booksense this month, but since then, Chris Staros, Co-publisher Top Shelf publishers has e-mailed me with some of the ways authors can break in to the field. As a result, I felt this information was important enough for me to rerun the entire article.

 

We keep hearing that teenagers and young adults are so busy playing video games that they aren’t reading as much any more. This may be true, but at the same time, there is a new book form, graphic books, on the market that’s selling to the 18 to 24 year olds, both male and female at the rate of $150 million plus a year in sales. 

 

What are they?

Are they comics? Yes and no. Comics have been around in America, forever- or at least it seems like forever. Today’s Graphic Novels have evolved from this. The 5” by 7”paperback graphic novel is essentially a complete illustrated, self-contained story. The trade paperback contains an anthology of previously published serial stories. 

 

Where did they come from?

 

The big push for graphic novels has come from Japan where the book form has grown into a dominate force and since the 1990s, American sales of licensed comics in English translation, known as Manga, have literally exploded. In Japan comics are a $4 billion a year market

 When Tokyopop started publishing Manga graphic books in 1997 they kept the left to right original Japanese format that publishers now call the manga format.  The subjects covered range from adventure to science fiction to romance, sports, many non-fiction topics and a lot Graphic novels now cover stories about relationship and love, and even include illustrated literary novels and religion. Since they are aimed at the younger generation they all have their own twist.

Some of the titles are Death at Death’s Door, Sandman Endless Nights, Chobbits Vol 1- The Kid’s Carton Bible, Buddha, the Finder, series and Yosel.  Do I understand these titles? For some yes, for most absolutely not. They don’t translate into anything I understand. They are meant for a different generation. For me they read like nonsense words. I’m still of the old school that wants a title to tell me what the book is all about. The Kid’s Cartoon Bible works just fine for me.  I guess I don’t understand the younger generation… I won’t be trying to write any of these sometime soon, but if you are a writer you should be aware of the trend.

Let me give you an example from Top Shelf Production religious graphic novel Creature Tech. This is most of the catalog copy.

 

Creature Tech

Good battles evil, and the world hangs in the balance!

Resurrected by the Shroud of Turin, the zombified Dr.

Jameson intends to finish what he started 150 years

ago—destroying the earth with a giant space eel.

Standing in his way is Dr. Ong, a would-be pastor

 turned scientist who now works in a rednecks,

symbiotic aliens, and a CIA-trained mantid, Dr.

Ong embarks on a journey of faith, love, and

self-discovery. All in a day’s work at Creature

Tech!… 20th Century Fox and New Regency

are currently developing Doug TenNapel’s

Creature Tech for the movies.

 

They gained a foothold in the U.S. because libraries begin to push them as a way to get young people to read. As I mentioned, the younger generation are so into video games and cable TV that reading has begun to drop off. Barnes and Noble and other chains have started to stock comic novels in large numbers. Sam’s, Costco and Walmart have also pioneered the trend.

Ron Turner of Last Gasp publishers and distributors says that some trendy boutiques are doing well with these books. He also found an audience at bars, bicycle shops and tattoo parlors. So far, independent bookstores have been reluctant to jump into the market on a big scale but that is bound to change.

Distributors also say that graphic novels do well in game shops and Fry’s computer stores.

 

Who are the Publishers

Currently 50 plus publishers are churning out graphic novels There are some familiar names, such as Pantheon and Tyndale but although I have been a writer working with publishers for over 30 years. I had never hear of Viz, Tokyopop, Top Shelf Production, NavPress, Vertical Inc. and many others.  I’ll give you a selective list of some that I have found while working on this article for Booksense.  This is really just the tip of the iceberg.     


AiT/Planet Lar

Antartic Press

Barron’s Educational Series

CPM

Dark Horse

DC/Vertigo

Drawn & Quarterly

Koen Books

Last Gasp

Lightspeed Press

Marvel

Metron Press

Nas Press

NBM

Orai Press

Pantheon

The Jewish Publishing Society

Tokyopop

Top Shelf

Verticla Inc.

Viz


How do you break in?

 

Here’s the answer from Chris Staros. Co-publisher Top Shelf. “Your question is kind of complicated actually, as breaking into the comics industry as a writer is a very difficult thing to do. Most of the smaller publishers can't afford to marry up illustrators with author manuscripts, so books have to come in as a team. The bigger outfits, like DC, Marvel, etc., do run more of an "assembly line", and always use writers scripts and assign them to illustrators, but getting them to check out the written work is sometimes difficult. A synopsis of the story and the first few pages of the script sent to editors (following the submission guidelines of the companies) can open the door, if it's immediately grabbing. Also, attending conventions and talking to editors -- getting to know them and handing them things to look over is a good way to go. There's no quick solution here. The other option is to hire an artist to illustrate the first few pages so that the editor can see how the work would look in finished form”.

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